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Seydou Keita: Photographs, Bamako, Mali 1948-1963: "Photographs, Bamako, Mali 1949-1970" SEYDOU, KEITA ISBN 10: 3869303018 / ISBN 13: 9783869303017 New Condition: New
Seydou Keita: Photographs, Bamako, Mali 1948-1963: "Photographs, Bamako, Mali 1949-1970" SEYDOU, KEITA ISBN 10: 3869303018 / ISBN 13: 9783869303017 New Condition: New
  • Load image into Gallery viewer, Seydou Keita: Photographs, Bamako, Mali 1948-1963: "Photographs, Bamako, Mali 1949-1970" SEYDOU, KEITA ISBN 10: 3869303018 / ISBN 13: 9783869303017 New Condition: New
  • Load image into Gallery viewer, Seydou Keita: Photographs, Bamako, Mali 1948-1963: "Photographs, Bamako, Mali 1949-1970" SEYDOU, KEITA ISBN 10: 3869303018 / ISBN 13: 9783869303017 New Condition: New

Seydou Keita: Photographs, Bamako, Mali 1948-1963: "Photographs, Bamako, Mali 1949-1970" SEYDOU, KEITA ISBN 10: 3869303018 / ISBN 13: 9783869303017 New Condition: New

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Title: Seydou Keita: Photographs, Bamako, Mali 1948...

Publisher: Steidl

Publication Date: 2011

Binding: Hardcover

Book Condition: New

Dust Jacket Condition: New

Edition: 1st Edition

New book in original printed cardboard packing case. (unpaged) : chiefly illustrations. 36 cm. introduction by Kathy Ryan ; Seydou Keïta in conversation with André Magnin. African portraitist Seydou Keïta lived in Bamako, Mali, then part of the colony of French Sudan and a bustling transportation hub on the route to Dakar, from 1921 to 2001. A self-taught photographer, with a Kodak Brownie given to him by his uncle, Keita took up photography at the age of fourteen, he opened a studio in 1948 and specialized in portraiture. Seydou Keïta s photographs eloquently portray Bamako society during its era of transition from a cosmopolitan French colony to an independent capital. Whether photographing single individuals, families, or professional associations, Keïta balanced a strict sense of formality with a remarkable level of intimacy with his subjects. Like many professional photographers, he furnished his studio with numerous props, from backdrops and costumes, to Vespas and luxury cars. He would renew these props every few years, which later allowed him to establish a chronology for his work He worked intuitively, reinventing portrait photography through his search for extreme precision. In 1962 the newly installed Socialist government made Keïta its official photographer; shortly thereafter he closed down his studio, although he remained active until his retirement in 1977. His archive of over 10,000 negatives was gradually brought to light in the early 1990s; Keïta has since achieved international recognition. Inventive and highly modern, his emphasis on the essential components of portrait photography light, subject, framing firmly establishes Keïta among the twentieth-century masters of the genre. Seller Inventory # 5085